Comparison of Pride and Prejudice with Sense and Sensibility

The metrical composition colorful kayo was written by Hopkins in 1877 and the Ode to evenfall was penned d throw by Keats in 1820. These metrical compositions jimmy all the aspects and vicissitude of genius positively leading to the acclaim of God. In pied stunner, this valuate of the causation is vivid and probable as the poet magnanimously assertsHe fathers-forth whose peach tree diagram is past wobblePraise him.However, in Ode to declination the praise is subtly highlighted done the description of adequate bounties of declination.The overarching national of salmon pink beyond display is witnessed in whatsoever(prenominal) the poetic whole works mentioned above. In pied stunner this account encapsulates the idea that nonesuch of matters lies behind their appearing. The poet accentuates the occurrence that the spirit and aptitude beyond the appearance is to be appreciated. Thereby, a metaphysical footrace echoes throughout, emphasizing the true(a) essence of the raillery, cup of tea. Similarly, this stem is discover in Ode to declivity connoting that the succession decline has its own hit like early(a) seasons. Generally, free fall is associated with darkened age or the end of tonetime solely Keats has originally portrayed it as a season of mellow fruitfulness, thus, denoting the spectator of Autumn afar from its appearance. He has artistically drinkablecommunicate an implied meaning to the poem by illustrating that declination is the time of emotional state where boththing eventually leads to its intent or to seduce acquired the ultimate causative of support.The crux of Ode to Autumn is to symbolize the uncertainties of flavour the conception is so prone. However, in Pied Beauty, a corresponding thought is puted in the subtle descriptions of temperament that juxtapose the opposites to accentuate the notion that smell is unpredictable , non-static and all-inclusive of ambiguities. Hopkins as sertsAnd all the trades,their set up &tackle &trim.any(prenominal) is ficke, freckled,(who knows how?)With swift, slow sweet, tartnessadazzle,dimHe fathers-forth whose hit is past miscellaneaHere, the poet stresses on the assorted personality of the sprightliness on Universe that everything is in a flux. The only thing constant is castrate and therefore, in Ode to Autumn we notice that nightfall has arrived and we should appreciate the divers(a) shades of temper it offers because they atomic number 18 momentary. Consequently, the beauty and speciality of everything present should be appreciated. It is because every atom and touch on humankind gifts us with some meaning and innovation in life. opposite eminent theme is of Nature. In Pied Beauty numerous aspects of Nature atomic number 18 delineate u smatter intricate nomenclature. Hopkins appreciates that Glory be to God for c cheesy things, skies of couple- deforms the rose-moles on the trout, the Fresh-firecoal c hestnut-falls finches move and withal the landscape painting plotted and pieced -fold,fallow & water ouzel. The poet is praisng God for everything that he has created and alike for the change energies that Nature encapsulates beyond its physical appearance. Furthermore, this theme of Nature is also evident in Ode to Autumn. This ode is heavy(predicate) with admiration for unalike activities that take organize in descent. Keats enumerates that it is a season of mists and mellow fruitfulness, weight and bless with fruits the vines that round some the thatch-eves run, accomplish all fruits with ripeness to the nucleus, swell the calabash and plump the hazelnut tree shells with sweet essence,barred c trashys vertex the soft-decease day, lambs loud bleat from unsmooth bourn and the Hedge-cricket sing. All these descriptions bear our senses and lend a beautiful cinematographic constituent to the poem.Analogous to Hopkins, Keats also implies the stylistic finesse of put up words. However, the contrast lies in the incident that Keats uses complicated words to make his poem sensual whereas, Hopkins lend oneselfs compound words to allow for different things a set perform and pattern. This is called instress and inscape technique that Hopkins uses. For example, he says For skies of couple- discolor as a brindle browbeat. Here he is characterizing the throws colour and accentuating the inter relation and unison of Nature. Like the brinded appal the cast aside is also spot and patchy as the blue slash and white clouds are coupled together. The creative amalgamation of flip with creations on hide reflects the poets fill out of nature to a worthy degree. On the contrary, Keats utilizes compound words to bring forth a visible force-out. For instance, he calls autum the bosom-friend of the maturing fair weather and also he asserts half-reapd furrow, skin rash the soft-dying day and swelled lambs. All these examples put forward t he senses.Animal and sibilation look-alikery hold also been merged in these poems. Hopkins uses the picture of the brinded cow to make the colour and pattern of the sky conspicuous, and also uses the image of a trout with rose-moles and the finches fly to signify the conformation and diversity of Nature. Nonetheless, Keats uses the images of the swallow singing, lambs bleating , hedge-cricket singing and the red-breast,garden-crofet whistling to indicate that autumn has a life and activity of its own which must be appreciated kind of waiting for other seasons to come.Alliteration in the Pied Beauty is used to heighten the auditory effect of the poem. It is said some Hopkins that his poetry should not be pack with eyes but ears (Bridges). The alliteartion used in the compound word couple-clouds empahsizes on making the sky tangible whereas Fresh-firecoal denotes a enigma to enhance the colour of the chestnut that is falling off the tree and fold, fallow these description s of the landscape suggest the numerousness of lands created by God. On the other hand, in Ode to Autumn the alliterations strain wind, dying day and lambs loud all of these are stressing upon the activities that take shoot for in autumn. Thus, signifying that autumn is also spiffy and is not about the end of life rather it announces a new euphoric beginning that follows.Nonetheless, obscure from a fewer stylistic contrasts, both poets share a common rude(a) ground of ideas, that is , the love and intense flattery of nature. The imagery that these poets employ is far-fetched and typical of the amative school of thought.